The Edge’s Best Films of 2019
With 2019 now over, The Edge writers reveal their favourite films of the year.
Browsing: moonlight
Closer to The Edge: Our Favourite Films of the Decade
With 2020 approaching, The Edge writers take a look back at their favourite films of the past decade.
The new wave of films championing diversity
The Edge writers come together to profile some of the the most significant diverse films of the century thus far.
The Edge’s Top 20 Films of 2017
With 2017 at its end, The Edge writers have voted and here are our Top 20 Films of the year.
Get Out and Call Me By Your Name lead independent film awards
Both films picked up multiple awards at The Gotham Independent Film Awards on Monday, as socio-political horror Get Out won Best Feature.
The Legacy of Black Panther: Non-White Actors and Attention
Writer Laura Woodhouse discusses three non-white figures who deserve to be in the spotlight way more.
This Month in Film: July 2017
New Film Editor David takes you through the cinematic highlights of July.
Ariana Grande officially suspends world tour following Manchester attack
UPDATED: Following the terror attack in Manchester on Monday, the singer’s team have confirmed that the tour’s indefinite suspension.
The Core of Awards Season: The Sequel
A month after its occurrence, writer Thea looks at this year’s famous envelope mix-up and the impact it had on the winners
Notes on News: Should we listen to the film critics?
Writer David discusses director Brett Ratner’s recent remarks, should we really be paying much heed to what the critics have to say?
The Edge Live Blogs: The Oscars 2017
Live from The Stags, we live-blog the biggest night in the entertainment calendar; The Oscars 2017.
Review: Moonlight
Writer Eddy review Barry Jenkins’ Moonlight which is already a potential favourite for awards season.
First Look Review: Moonlight
This is the year’s best film, and it’s only February. Writer George reviews the essential Oscar-nominee.
Wake up Academy! It’s time to give some credit to the genre films
The Academy seems to be diversifying its nominees again, but what about its genres?