This Week in Records
This Week in Records (21/09/2015-27/09/2015) boasts the releases of Disclosure’s sophomore album Caracal, the return of CHVRCHES and the hotly anticipated new Bond theme.
This Week in Records (21/09/2015-27/09/2015) boasts the releases of Disclosure’s sophomore album Caracal, the return of CHVRCHES and the hotly anticipated new Bond theme.
Records Editor Amy reviews the second offering from Disclosure, Caracal, to see if it lives up to their 2013 debut.
The new visual acts as the third instalment in the duo’s dystopian video series for their forthcoming record, Caracal.
The music video is the second part in a series of visuals directed by Ryan Hope for various tracks from the electronic duo’s upcoming album, Caracal.
The track features vocals from London-based singer Brendan Reilly and is the latest single to come from the duo’s upcoming album, Caracal.
Artists such as Bastille, Ke$ha, Aviicii and Lorde are among the judging panel for this year’s competition.
Jack Gracie reviews the significant talent present on Eve the Behaviour’s EP, Electrical.
The new video serves as the first part of the duo’s four-part short film, CARACAL.
While this is a fairer world it’s also a more boring one.
Topical despite their medieval protagonists Rona Munroe’s trilogy of plays exploring the stories of three Scottish monarchs stand strongly alone but are less cohesive as a unit.
Dreamy synths, heavy layering and sharp electronic beats weave a deep, rich sound, which is not particularly groundbreaking but no less impressive.
Enjoyable acts and beautiful scenery, worsened by English weather, high prices, and young festival goers
Earls Court, including The Edge’s own Amy Wootten, saw an eleven piece band and a menagerie of fancy dress in Arcade Fire’s lead up to their headline slot at Hyde Park this summer.
Arcade Fire are set to headline Earls Court twice, in preparation for this summer’s Hyde Park British Summer Time slot