Alternative Picks for Film Awards Season


Time flies. Somehow it’s already a year since The Shape of Water swept the board as Best Picture, Frances McDormand blew us all away in Three Billboards Outside Ebbing, Missouri and Gary Oldman reigned supreme as Best Actor in Darkest Hour. Speculation is already mounting as to who will follow in their footsteps this year and we can’t escape the hype surrounding the likes of Lady Gaga and A Star is Born. This issue, however, is all about the alternative, and there are plenty of understated performances that are equally (if not more) deserving of acclaim this awards season. Here are a few of The Edge’s top picks:

Best Actor – Charlie Plummer in Lean on Pete

Andrew Haigh’s indie gem, Lean on Pete, is an utterly encapsulating event from start to finish, but the true standout aspect of the film is the breakout performance from Charlie Plummer. Plummer plays the role of Charley, a neglected teen who forms an unbreakable bond with a dying racehorse after dealing with personal tragedy, and does so with such ease. Despite being surrounded by a much older cast, Plummer commands the screen, channelling grief and teen angst with the unstoppable grit and determination of someone who’s been through more than most fifteen-year olds could ever imagine. His manner is strangely reminiscent of Timothee Chalamet in Call Me By Your Name, and unfortunately this performance looks set to be as equally overlooked by the guilds and academies handing out the silverware. Plummer may not quite break into the awardsphere this year, but his incredible performance in Lean on Pete is sure to put him on the radar of filmmakers well beyond the world of independent cinema.

Best Actress – Yalitza Aparicio in Roma

No performance has affected me quite as much this year as Yalitza Aparicio in Roma. Aparicio stars as Cleo, housekeeper to a troublesome middle-class family in 1970s Mexico City. This film is about the strength of women in the face of adversity, and Aparicio is the strongest of them all. After a brief and intimate encounter with a violent protester, Cleo’s pressing problems outweigh the needs of the family and the actress expertly channels the raw emotion of a woman at the very edge, doing everything she can to hold it together, always putting others first. For every tear and bittersweet moment (believe me, this performance provides many) that Cleo faces, Aparicio ensures that she remains a multi-dimensional character, presenting a fiercely caring lady. What is most impressive about this performance is the fact it is her screen debut – not that we can ever tell. Quite frankly, it would be an injustice if she were to be snubbed this awards season.


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The Edge's Film Editor 2018-2019. Loves all things football, music and politics, but has somehow wound up writing about the movies.

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