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Bastille are back with their series of intimate gigs to promote their fourth album, Give Me The Future, which, after releasing on 4 February 2022, is now at number 1. The gig had around 500 people attending and having been to several ‘intimate gigs’ before including one of Bastille’s, this genuinely felt friendly, intimate and […]
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One of the UK’s most famous pop-indie bands from Manchester, will be bringing their big energy to headline the O2 Academy arena at Bournemouth on the 16th of February 2022. Pale Waves will be performing their incredible second album Who Am I? with special guest, emo-pop band Hot Milk. Pale Waves’ unique goth style mixed with […]
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The original Candyman, a cult favourite based upon a short story by Clive Barker and directed by Bernard Rose, is a personal favourite and remains a landmark horror film for its racial politics (up there with Night of the Living Dead and The People Under the Stairs, the latter of which remains unsung but does […]
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Becky Davies explains the importance of Taylor Swift’s fearless reclamation of her own music.
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An off-the-radar trilogy that started strong and… ended strong? Louis Altmann breaks down M Night Shymalan’s stealth project.
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When I imagine moving to New York, I – like Jeremy Hersh – would imagine a “progressive paradise”, only to be disappointed by the fact that flawed and imperfect people live there too. We often find ourselves at a crossroads between simply appearing progressive and open-minded and following that attitude through in morally complex situations. […]
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Connie Seamer celebrates the EP that pushed Charli XCX onto a new experimental stage of her career.
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Theo Smith reviews Sia’s controversial musical-drama about an autistic teenage girl.
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Elizabeth Sorrell tells us about the tragic tale of My Sweet Orange Tree that was originally written in Portuguese.
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Classic Culture Olivia Dellar introduces you to your brand new favourite comic.
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Olivia Dellar looks back on the career of the Peckham-born actor from Moses to Finn
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Film editor Theo Smith, interviews director Peter Murimi about his debut film which is playing at the London Film Festival.
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When sitting down to watch Charlie Kaufman’s I’m Thinking of Ending Things, it’s not immediately clear what the film is about, or even how to approach it as a viewer. On the one hand, it’s an existential foray into ‘what ifs’ and missed opportunities, contrasting “what could have been” against “what has been”, in a […]
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Your film editors guide you through their film picks for September.