His debut is “a joyride that you won’t want to end”, says writer Tom Hills.
He just wants attention, and that’s exactly what his sophomore album is receiving.
The new album is out, but is it worth Hearing Without Ears?
Harry Fortuna reviews the divisive new record from the Sheffield-bred indie rockers.
Harry Fortuna reviews the Birmingham-based outfit’s third studio album.
Cameron Ridgway reviews the folk-rock singer’s latest release.
Tom Brewster reviews the Baltimore duo’s most astonishing work to date
The first album in five years from the R&B virtuoso is a “breathtaking album of astounding clarity and depth,” according to Records Editor-elect Sam Law.
Tom Hills reviews the ‘muddled and mediocre’ album from the American record producer.
Harry Fortuna reviews the hotly anticipated new release from the Texas rapper.
The enigmatic second half of The Books returns with the most obtuse and difficult album of the year.
David Mitchell-Baker reviews the sixth album from the Philly natives.