Review: Common People 2018 – Sunday
Who needs a giant disco ball when The Jacksons and Boney M were there to bring all the boogie you could possibly blame?
Browsing: Reviews
Review: Common People 2018 – Saturday
Lily Allen, The Sherlocks, and… Elvana? We have the low-down on Common People’s first day.
Review: Ruse and Artifice at The Annex Theatre, Southampton
MagicSoc’s annual show is bound to amaze and intrigue, with performances from six distinctive and talented magicians that will impress even a sceptic (11/05/2018).
Review: Hall of Fame, Dazzling Concerto Performed by Jayson Gillham
Andrew Fowler reviews the “incredible” performance from Bournemouth Symphony Orchestra, featuring Jayson Gillham as their soloist.
Review: Lower Than Atlantis at the Engine Rooms, Southampton
Writer Jed Wareham reviews Watford 4-piece Lower Than Atlantis’ epic return to Southampton on their 2018 UK headline tour (12/04/2018).
Review: The Wombats at The O2 Academy, Bristol
Meg Holland reviews the Liverpudlian trio’s penultimate stop on their UK tour (28/03/2018).
Review: Tom Walker at Engine Rooms, Southampton
Tom Walker gave a powerful performance on the second night of his tour(19/03/18).
Review: dodie at O2 Shepherd’s Bush Empire, London
Sophie Jones reviews dodie’s biggest headline show to date at London’s O2 Shepherd’s Bush Empire on Easter Sunday (01/04/2018).
Review: Milk Teeth at Camden Underworld, London
Daisy Malcolm reviews Milk Teeth’s brilliantly chaotic sold-out London gig.
Review: Rae Morris at The Wedgewood Rooms, Portsmouth
Sophie Jones reviews Rae Morris’ performance at The Wedgewood Rooms in Portsmouth in support of her latest album, ‘Someone Out There’ (19/03/2018).
Review: Khalid at Eventim Apollo, London
Xavier Voigt-Hill reviews the ‘Young Dumb & Broke’ singer’s London serenade (14/02/2018)
Review: Jake Bugg at O2 Guildhall, Southampton
Jake Bugg took to the O2 Guildhall in Southampton with a more mature persona than his audience were expecting (11/03/18).
Review: Picture Perfect at the Lighthouse, Poole
Andrew Fowler reviews Carlos Miguel Prieto’s conducting of the compositions of Ravel, Debussy, and Mussorgsky.