Review: Say Your Prayers – A Most Peculiar Comedy of Errors
With its tagline, ‘Prepare for one radical weekend,’ Say Your Prayers is incredibly effective at…
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Review: Becky – Nonsensical Gore Is The Only Selling Point
Emily Dennis provides her verdict on this gore-fest revenge thriller starring Kevin James and Lulu Wilson.
Review: I Used To Go Here – The Only Laughter Produced Was Discomfort
Georgie Holmes reviews Kris Rey’s new college comedy.
Review: Schemers
Produced by Black Factory Films and Munro Films, Schemers is the first full-length feature to be…
Review: REAL – Drawing You In, Only To Break You
Katie Evans reviews the directorial debut by Aki Omoshaybi.
Review: Tenet – Unique, Head-Spinning Cinematic Delight
Is Christopher Nolan’s latest blockbuster a success? Jacob Hando reviews.
Review: She Dies Tomorrow – Tedious Journey of Existentialism
Katie Evans offers her thoughts on the
Review: Inception 10th Anniversary – Apotheosis of Big Screen Filmmaking
As Christopher Nolan’s sci-fi epic returns to cinemas for its 10th anniversary, Jacob Hando revisits.
Review: Young Ahmed – Utterly Sincere Portrayal of Youth Radicalisation
Theo Smith reviews the latest film from the Dardenne Brothers
Review: Make Up – Bleak Realism of Self-Discovery
Katie Evans reviews the psycho-sexual feature debut from Claire Oakley
Review: Life With Music – Homage to Music that Fails to Hit any Memorable Moments
Does Patrick Stewart’s new drama strike a chord? Georgie Holmes reviews.
Review: Parasite: Black & White Version
Conor O’Hanlon takes a look at the monochromatic version of the 2020 Best Picture Oscar winner.
Review: Disappearance at Clifton Hill – A Neo-Noir that Resembles More of a Concept
Is the new mystery thriller by Albert Shin as elusive as its title? Lucy Maggs reviews.
Review: Inheritance – A Lacklustre Thriller that Wastes its Talent
Sam Pegg reviews the new thriller starring Lily Collins and Simon Pegg