In ode to World Book Day, Edge writers have described which musical based on a…
How do you get into the halloween and spooky mood? Well a moody spooky musical, duh!
After a year of musical theatre drought, a few of our writers express their hope for a well needed return of theatre in 2021.
“Marvellously unique and gives a childlike feel to the production”: A Review of Jacqui and David Morris’ A Christmas Carol
Elizabeth Sorrell reviews Jacqui and David Morris’ ‘A Christmas Carol’ an adaptation that breathes new life into the classic Christmas tale.
Elizabeth Sorrell shares thoughts and admiration for Tinuke Craig’s production of Sarah Kane’s ‘Crave’ at the Chichester Theatre.
From Shakespeare to Greek Classics, because who doesn’t love a good dramatic tragedy?
Elizabeth Sorrell shows us what we can expect from the first socially distant performance at the Chichester Theatre.
Fantasy is one of the most popular genres, but how is it presented on stage and where do we get our visions and images from?
Who doesn’t love Ian McKellen? Louise Chase reviews the Duke of York’s production of King Lear starring one of the most celebrated Shakespeare actors.
Connie Seamer reviews Shakespeare’s most known play of the starcrossed lovers, performed at the Globe back in 2019.
Is theatre for the masses, or only the wealthy? Elizabeth Sorrell investigates the accessibility of the arts.
Dom Wilton expresses the great excellence and beauty of Peter Schaffer’s Amadeus.
Despite Hamilton’s phenomenal cultural impact, our records editor, Alice Fortt, subjects the characters to microscopic analysis.
Emily Dennis reviews a recording of theatre phenomenon Hamilton, after its anticipated landing on Disney+.