Review: Make Up – Bleak Realism of Self-Discovery
Katie Evans reviews the psycho-sexual feature debut from Claire Oakley
Author Katie Evans
Katie Evans
third-year film student
Total articles: 39
Tragic TV Finales: New Girl
Katie Evans discusses the quirky sitcom New Girl and its finale’s success.
Graffiti: Street Art or Vandalism?
Georgie Holmes and Katie Evans look at the opposing sides to the political debate circling street art.
Review: The Magic Gang – ‘Make Time For Change’; A Step Back From Other Releases
‘Make Time For Change’ is a good song, but not life-changingly good
Best Glastonbury Set to Watch
As festivals couldn’t happen in the normal capacity that we are used to, some of our writers reflect back on some memorable Glasto performances over the last 20 years!
Guy Ritchie and Matthew Vaughn Launch Initiative to Improve BAME Representation in UK Film and Television
The initiative, Set Access, is a programme based within the UK that intends to promote a wider representation within the creative workforce.
Review: Glass Animals – ‘Heat Waves’
Katie Evans gives some insight into the *different* new Glass Animals single
What We’re Listening To: July 2020
Take a look at some of our top music picks for July.
If You Enjoyed: Blossoms – ‘Foolish Loving Spaces’
Katie Evans outlines some hidden gems to check out if you’re a Blossoms fan.
’11 impressively diverse songs’; a review of DMA’s The Glow
Katie Evans discusses the band’s experimental new LP ahead of it’s release tomorrow.
“London, Sydney, LA”- An Interview with DMA’s Matt Mason
Katie Evans sits down for a socially distant interview with DMA’s Matt Mason to discuss quarantine, touring and new music.
Newcastle Racecourse will be home to the UK’s first socially distanced music venue
The Virgin Money Unity Arena will be opening this summer.
Closer to The Edge: Our Favourite Outdoor Cinema Experiences
Help us outdoor cinemas, you’re our only hope… The Edge writers discuss their favourite outdoor cinema experiences.
Nostalgic News: My Beautiful Laundrette was released 35 years ago
Katie Evans revisits Stephen Frears’ classic comedy-drama.