Harley James Mitford reviews the one-night-only Turner Sims exclusive: Roger Vignoles, Elizabeth Watts and Roderick Williams’ sensitive rendition of Wolf’s rarely performed Italian Songbook (24/11/16).
Author Harley James Mitford
Harley James Mitford reviews the epic stylings of Norwegian pop-princess AURORA at her recent London appearance.
Harley James Mitford reviews the underwhelming new musical from Tim Minchin and Matthew Warchus.
Harley James Mitford discusses Frank Ocean’s use of audio processing devices, and their significance, on his new album Blonde.
The Edge visited the set of Tom Sands’ new film Three Acts – here’s what writer Harley James Mitford discovered.
Harley James Mitford reviews the sparse new offering.
Harley James Mitford reviews Anthony Garlands deliciously weird short film Ophelia.
Harley James Mitford reviews Andrew Dominik’s intimate documentary about Nick Cave and the Bad Seeds.
Harley James Mitford reviews the “unassuming yet magnificent” sophomore album.
Writer Harley reviews the brief, albeit touching love story about two French boys, Theo and Hugo.
“I love to play characters that aren’t necessarily being given a voice in film and television”: An interview with Afsaneh Dehrouyeh
Harley James Mitford speaks with Afsaneh Dehrouyeh about her past, present, and future work.
“I still don’t know what happened!”: An interview with Patricio Valladares, Barry Keating, and Natalie Burn at FrightFest 2016
Harley James Mitford talks Takashi Miike, the Royal Ballet, and flaming cabins with Downhill’s director, writer and lead actress.